The Sony SEL 28-70mm full-frame camera lens for Sony E-mount cameras provides a flexible range for capturing images with its capability of zooming from 28 to 70mm. The seven-blade, circular aperture pushes beyond the standard for an improved defocusing experience. The aspherical lens and Extra-low Dispersion glass are a powerful combination meant to reduce distortion and create images with brilliant contrast, resolution, and color fidelity. Image stabilization reduces the risk associated with out of focus and blurry results. With the dust and moisture-resistant design, feel the freedom of securing photographs of wildlife and landscapes. Photographers will find it easy to carry this lightweight lens on photo expeditions.
Full-frame zoom Lens for 35mm full frame format E-mount bodies 24mm to 240mm wide-to-telephoto covers a wide range of photography genres 5 aspherical elements and 1 ED glass element minimizes aberrations and delivers high resolution from wide to telephoto
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Begin your wide-angle journey with the E 20mm f/2.8 Lens from Sony, a super compact “pancake” lens designed for APS-C-format E-mount cameras where it provides a 30mm equivalent focal length. It offers shooters a fast f/2.8 aperture for use in low light and for creating images with a shallow depth of field.
With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps.
Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 1.4x Teleconverter increases the lens’s magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization.
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The 16mm Fisheye Conversion Lens for FE 28mm f/2 Lens from Sony lets you broaden the focal length of your 28mm full-frame lens to a 16mm lens with 180° perspective for inclusive and distorted creativity. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera.
Sony FE 50mm f/2.8 Macro Lens and wide F2.8 aperture and a 6.25 inch (0.16m) minimum focusing distance with a 1:1 macro capability. Delivering on a wide range of uses from landscape, portrait to macro, its compact and lightweight design, paired with a comprehensive selection of on-lens controls, including a focus-mode switch and focus-range limiter, contributes to versatile operation.
Sony is often quoted as having aspirations to rival Nikon and Canon but, since taking over the SLR business of Konica Minolta, has so far shown only a handful of pro-grade lenses. The SAL500F40G is one such lens, more popularly known as the 500mm f/4.0DG SSM, and with a price tag of $13,000 it’s aimed squarely at professionals and well-heeled enthusiasts. We’ve had the opportunity to assess the new lens at our lab in Seattle, please read on to see how the new Sony performs and if it has what it takes to compete with the current Canon and Nikon duopoly.
The 50mm F/1.8 Prime Lens from the house of Sony, is no doubt a solid lens for everyday use. Launched in the year 2009, this high-end lens has been designed for cropped APS-C sized DT-mount cameras. It weighs only 168g and can be therefore termed as lightweight. You can easily carry it on any trip you wish. Its build quality is quite good and it comes with a 1 year warranty.
The full-frame E-mount FE 70-300mm F4.5 – 5.6 G OSS telephoto zoom lens features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to effectively suppress spherical aberration, distortion, and chromatic aberration. Together with Optical SteadyShot image stabilization, ensures beautiful high-resolution results for both still and video shooting.
Capture more distant subjects while keeping your kit lightweight with the FE 70-200mm f/4 G OSS Lens from Sony. This full-frame lens is designed for use with mirrorless E-mount cameras where it delivers an excellent telephoto zoom range. It also uses a maximum aperture of f/4 to keep size and weight down.
This 50mm Full-frame E-mount Fast Prime Lens offers a focal length that is perfect for portraiture and a range of other subjects. A bright F1.8 maximum aperture, 7-blade circular aperture and aspherical element deliver impressive image quality with beautifully defocused background bokeh, all in a surprisingly compact and lightweight package
Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed for E-mount mirrorless cameras. Complementing the useful range of focal lengths is a constant f/4 maximum aperture, which maintains consistent performance throughout the zoom range and also affords increased control over depth of field. Benefitting the reach is an advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity.
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The new rokinon 14mm ultra-wide angle f/2.8 if ed umc lens is the highest quality affordably priced 14mm lens on the market. It is designed for full frame cameras and is fully compatible with aps-c cameras as well. The lens construction is 14 elements in 12 groups and features 2 ed lens elements, one hybrid and one glass aspherical lens element. All of these lens elements combine to minimize distortion and chromatic aberrations. The lens features a remarkable 115.7 degree angle of view on full-frame cameras and a 93.9 degree angle of view on aps-c cameras. This fantastic lens is now available for mirrorless camera bodies including: Sony e-mount (nex), micro four-thirds and Fuji x.