Tamron 18-400mm F3.5-6.3 Di II VC HLD[B028](Nikon)
The Tamron 16-300mm f/3.5-6.3 Di II VC PZD MACRO Lens for Canon is a wide-angle to telephoto zoom lens for Canon EF-mount APS-C cameras that features a versatile 35mm equivalent focal length of 25.6-480mm. This provides users with an extremely wide-angle and super telephoto lens in one convenient package. Also, it has an aperture range from f/3.5-6.3 to f/22-40 across the zoom range.
Tamron 100-400mm F/4.5-6.3 Di VC USD (Model A035) has officially landed, compatible with full-frame Canon and Nikon DSLRs. Designed to deliver “superior optical quality,” says Tamron, the lens owes its autofocus performance and Vibration Compensation (VC) with four stops of stabilization to the lens maker’s Dual MPU (Micro-Processing Unit) control system, a feature incorporated into all of the latest Tamron lenses. All this tech is built into a compact, lightweight lens body weighing only 39.3 ounces and measuring 7.7 inches long (40 ounces and 7.8 inches, respectively, for Canon mount).
Widen the perspective of your wide-angle lens even further with the Sony VCL-ECF2 Fisheye Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 15mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 20mm. It is constructed of 4 elements in 4 groups. Front and rear lens caps and a carrying case are included to help protect the lens.
The Sony SEL 28-70mm full-frame camera lens for Sony E-mount cameras provides a flexible range for capturing images with its capability of zooming from 28 to 70mm. The seven-blade, circular aperture pushes beyond the standard for an improved defocusing experience. The aspherical lens and Extra-low Dispersion glass are a powerful combination meant to reduce distortion and create images with brilliant contrast, resolution, and color fidelity. Image stabilization reduces the risk associated with out of focus and blurry results. With the dust and moisture-resistant design, feel the freedom of securing photographs of wildlife and landscapes. Photographers will find it easy to carry this lightweight lens on photo expeditions.
Full-frame zoom Lens for 35mm full frame format E-mount bodies 24mm to 240mm wide-to-telephoto covers a wide range of photography genres 5 aspherical elements and 1 ED glass element minimizes aberrations and delivers high resolution from wide to telephoto
1) Sony 2.0x E-Mount Teleconverter Lens ♦ 2) Spare NP-FW50 Battery for Sony ♦ 3) Battery Charger for Sony NP-FW50 ♦ 4) Precision Design PD-58PVTR 58″ Photo/Video Tripod with Case ♦ 5) Precision Design 6-Piece Camera & Lens Cleaning Kit ♦ 6) Precision Design 8 SD / 2 MicroSD Memory Card Case ♦ 7) Precision Design Universal LCD Screen Protectors
With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps.
Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 1.4x Teleconverter increases the lens’s magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization.
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The 16mm Fisheye Conversion Lens for FE 28mm f/2 Lens from Sony lets you broaden the focal length of your 28mm full-frame lens to a 16mm lens with 180° perspective for inclusive and distorted creativity. As this converter lens is uniquely compatible with the FE 28mm f/2 lens, it transmits EXIF data through the host lens to the camera.
Sony is often quoted as having aspirations to rival Nikon and Canon but, since taking over the SLR business of Konica Minolta, has so far shown only a handful of pro-grade lenses. The SAL500F40G is one such lens, more popularly known as the 500mm f/4.0DG SSM, and with a price tag of $13,000 it’s aimed squarely at professionals and well-heeled enthusiasts. We’ve had the opportunity to assess the new lens at our lab in Seattle, please read on to see how the new Sony performs and if it has what it takes to compete with the current Canon and Nikon duopoly.
The full-frame E-mount FE 70-300mm F4.5 – 5.6 G OSS telephoto zoom lens features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to effectively suppress spherical aberration, distortion, and chromatic aberration. Together with Optical SteadyShot image stabilization, ensures beautiful high-resolution results for both still and video shooting.
Capture more distant subjects while keeping your kit lightweight with the FE 70-200mm f/4 G OSS Lens from Sony. This full-frame lens is designed for use with mirrorless E-mount cameras where it delivers an excellent telephoto zoom range. It also uses a maximum aperture of f/4 to keep size and weight down.