The Sony FE 24-240mm f/3.5-6.3 OSS Lens for full-frame E-mount cameras. Able to cover everything from wide-angle to telephoto in a single compact form factor, this lens uses a variable aperture of f/3.5-6.3 to keep size and weight to a minimum. Further benefitting use is built-in Optical SteadyShot image stabilization that reduces the impact of camera shake, especially at longer focal lengths. Designed to cover everything from wide-angle to telephoto perspectives, this full-frame 24-240mm E-mount lens can also be used on APS-C format cameras where it will provide an equivalent zoom range of 36-360mm. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
The FE 100mm f/2.8 STF GM OSS Lens from Sony is a short-telephoto prime featuring a unique, yet sophisticated optical design. Contributing to a high degree of sharpness and clarity, the lens also incorporates one aspherical element and one extra-low dispersion element to suppress both spherical and chromatic aberrations. Complementing the optics, this lens also sports a robust physical construction that is dust- and moisture-sealed for use in trying conditions Additionally, Optical SteadyShot image stabilization further contributes to producing sharp images when shooting handheld by minimizing the appearance of camera shake. The optical design incorporates an apodization element that helps to improve the quality of bokeh. This element, which resembles a radially graduated ND filter that tapers from clear in the center to denser around the edges, produces more circular out-of-focus highlights for more pleasing selective focus and shallow depth of field effects. One extra-low dispersion element reduces color fringing and chromatic aberrations while one aspherical element controls spherical aberrations for improved clarity and sharpness. A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. A macro switching ring allows you to choose between two focusing ranges: 2.8′ to infinity or a closer range of 1.9-3.3′, which also offers a 0.25x magnification at the minimum focus for working with close-up details. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur. A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
The FE 1.4x Teleconverter increases the lens’s magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Impressive optical performance for Sony cameras, precision-engineered for versatility and reliability in a wide range of applications.
The Distagon T* FE 35mm f/1.4 ZA Lens from Sony offers full-frame E-mount shooters a classic wide-angle focal length with the excellent optical performance. Along with this, the lens uses a Zeiss T* anti-reflective coating to effectively eliminate flare and ghosting to create a sharp, contrasty image. There are tactile control options as well, including an AF/MF switch and a physical aperture ring, which can be de-clicked for smooth iris changes during the video. Smooth bokeh is also a characteristic of this lens due to the use of a nine-blade circular diaphragm. Based on the Zeiss Distagon optical concept, this lens uses a design with 12 elements in eight groups that helps achieve the large maximum aperture of f/1.4 while helping to minimize vignetting and spherical aberrations. Fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also offers a wealth of control over the focus position when using shallow depth of field techniques. One Advanced Aspherical (AA) and two aspherical elements are incorporated into the optical design for effective control over astigmatism, field curvature, coma, and other spherical aberrations. An AF/MF switch is located on the lens barrel for tactile control over this setting.
One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon pairs this classic lens design with enhancements to the AF system and physical design that make it both faster and smaller. Utilizing an STM stepping motor, this lens is ideal for both still and video shooting due to its speedy and smooth operation.
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare. A truly circular diaphragm results in pleasing out-of-focus areas.
EF-S Mount Lens/APS-C Format 38mm (35mm Equivalent) One Aspherical Element Optimized Lens Coatings STM AF Motor Supports Movie Servo AF Micro-Stepping Drive Aperture Mechanism Full-Time Manual Focus Override Rounded 7-Blade Diaphragm Slim Design Measures Less Than 1-Thick
The EF 200mm f/2L IS USM Lens from Canon sets new standards in performance and versatility with its wide maximum aperture, lighter weight, dust and moisture protection, better balance, ultrasonic autofocus motor (USM) and two-mode Optical Image Stabilization technology.
The EF 100mm f/2 USM Lens from Canon is a medium telephoto lens with a fast maximum aperture. It is ideal for many telephoto applications including portraiture, as the f/2 aperture provides shallow depth of field focus and its 8-blade diaphragm creates pleasing out-of-focus areas.